The Inferno: Canto XXXI's monsters ; Topographical/geographical feature in Canto XXXI"

Are there both colossuss in Canto XXXI and if so what purpose do they dish forbidden? If there ar no monsters what does their absence signify? 1. there atomic number 18 four monsters mentioned in Canto XXXI, these monsters were Nimrod, Ephialtes, Briareus, and Anataeus. These monsters were sentenced to stand between the 8 and the ninth order because they had challenged disposal activity who they were not supposed to do. The whale Nimrod he is his accept accuser./This is nimrod, because of whose execrable plan/the beingness no longer speaks a maven tongue. (Canto XXXI, 76-78). The second giant is Ephilates who rebelled against Jove. The third monster was Briareus, whom Virgil recant let Dante see. The quarter monster was Antaeus. Antaeus answered Dante and Virgil enter into the ninth circle. The monsters in this canto serve to help in the transition between the octad and the ninth circle. During this misfortunate go that Dante and Virgil took to get to the monsters, Dante is seen to show revere as he approaches the giants. Dantes defect in confuseaking the monsters for towers was corrected by Virgil and so the error turn into fear. The monsters in Canto XXXI are used to elaborate the situations that they are put into such as the event that Antaeus as being, towering giant monster, carried Virgil and Dante below to the 9th circle of hell.

By this, the author uses the traits of the monsters to bring in the scenery become active. What grouchy topographic/geographical give dominates this Canto? 2. The topographical and geographical let tyrannical Canto XXXI seemed as a city touch with towers of some(a) sort. The area that the travelers, Virgil and Dante, were heading out to was covered in corrupt and fog. It was later on when Virgil explained to Dante that what he was... If you want to get a full essay, order it on our website: Orderessay

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