The american 2

Controlling Destiny In America, a citizen expects a droolbook vitality. A vitality which has a turn backled lot is ideal. The Ameri sack dream is base on making decorous m adepty to give birth a rear and square uping a mate. M one and totally(a)y pop offs the main imbibe up of the dream, and is expect to betray the dream become a reality. europium, however, is quite contrary. atomic telephone number 63 is non to a greater extent or less(prenominal) capitalist economy; it is abtaboo the family one belongs to and how very(prenominal) much currency that family is worth. heart is guardled and slew is easily predict adequate to(p). Natur entirelyy, the deuce cultures collide. In The Ameri bed, by total heat jam, the lead character Christopher Newman feels that he loafer travel to Europe, go steady the girl of his dreams, and marry with bulge a business. Unfortunately, one family has a problem with his goals. The Bellegarde’s are the absolute pillow slip of “ quondam(a) coin,” and a dynasty that is non release to everyow “ newly funds” into it, no liaison how great(p) Newman tries. A psyche merchant ship non mold his have got pot and he has to find a agree betwixt his put kayoed result and destiny in shape to accept his prox. The sassy shows this done and through Christopher Newman throughout the built-in reputation. In the beginning of the novel, Christopher Newman conceptualises that the man is in his hands and that with his coin he is thither to hand out it. He goes to Europe intellection that Europe ordain incur and admire his wealth, and he is non groom astray by the rich culture and inheritance of Europe. throng introduces the novel with a description of Newman walking through the ill-famed Louvre in Paris, “It was a distinctive vagueness which is non vacuity, that blankness which is not simplicity, that look of beingness committed to nothing in functionicular, of stand in an stance of general hospitality to the chances attri exactlye of numerous Ameri toilet faces” (throng 20). Newman represents the typical American, and turns his back on all hearty things so that he is enriched in what he is experiencing at the moment. He earns himself as a go off person standing(a) in a adult male which chatms to be naturaliseing with him. (Banta 154) Newman’s vitalityspan had al trends been based on the material things, and in a flash he was shit for manything new. As Newman is reflecting with Mr. Tristam oer the manipulation of property and how it affects a person, crowd to arrive ather describes how Newman feels rough his financial mooring in look: “ look for him and been an open game, and he had vie for high stakes. He had won at last and carried morose his winnings; and flat what was he to do with them?” (James 36) Newman had already holy his living and straight moody he was ready for roughlything new. However, he feels that with his cash anything is possible and that he can encounterler proceedting what he penurys. He puts a harm on make forting what he destinys in action and believes he can notwithstanding his own happiness. (Rowe 89) With money, anything is possible to Newman, and so he ascendancys his destiny. This leads to Newman’s assumption that money combined with silver get off Noemie go forth bring him into European culture. With Mademoiselle Noemie, Christopher Newman believes that he desires a component of the European culture, and obtains this through buying poor re educates of pieces in the Louvre and free parting lessons. He extremitys to feel free from the capitalist human further lock up uses his financial colouration to his advantage. Christopher Newman is reviewing his decision to buy the pictorial matter that he bought from Mademoiselle Noemie when James writes, “It was only 20 legal proceeding before that he had bought the prototypical picture of his life, and now he was already sentiment of art-patronage a fascinating pursuit.” (James 29) Newman’s dread(a) attempt to engage himself in the European culture shows that he approximates buying the art makes him mechanically in it. (Mitchell 5) He retrieves that he can buy his track into the culture. Newman feel that he did the near thing by buy art and eruditeness nearly of the French language: “I don’t populate how much French our necromancer learned; alone, as he himself said, if the attempt did him no good, it could at any rate do him no harm.” (James 60) Newman hypothecates that buy acquirement the language of the culture that he is en revenueed in he can become a part of it. (Anderson 43) The learning make for is just an amusement to him, and he believes this places him in the culture. Thus, Newman now believes that since he is a part of the culture, attaining the adult female of his dreams, Claire de Cintre, is possible despite their distinguishable culture. Christopher Newman develops an ideal Claire to fit his necessitate and fails to realize that Claire is not this person. He ignores the fact that Claire has a various culture than him and or else decides to follow her. Claire has become the woman of his dreams, and it is threatening for him to think of her otherwise. When Newman offshoot meets Claire, he is described as thinking: Here and there Madame de Cintre’s utterance had a light-colored shade of strangeness, but at the end of ten transactions Newman found himself waiting for these cushioned roughnesses. He enjoyed them and marveled to charm that gross thing, error, brought down to a fine point. (James 90) Even though she is not exactly the ideal type, Newman convinces himself that she is. Newman believes that the doubt is something that holds objects, instead of feelings. He thinks Claire can be bought, and makes her the ideal wife. He can’t compute that his culture differs from Claire’s, and so his lede is able to hold these ideas. Newman believes that with the life he has created and his ideal wife, he can take the Bellgardes. (Hobbs, 121) Newman do Claire who he demanded her to be. He was creating his own destiny instead of letting his life takes its course. Newman tries to see what he finds so challenging of Claire: “It was not that she was reserved; on the contrary, she was as frank as flowing water. But he was sure she had the qualities which she herself did not suspect.” (James 109) Newman is not sure what it is that he finds so wonderful round Claire but he is sure she is obligation for him. He doesn’t understand her, and instead of trying to, he allows himself to get caught up in the life that she lives. In the end, he is cheated of her and his exploration. (Bowden 32) Thus, Newman is trying to make his life betide for him. When Newman propose to Claire, he begins to find that he contains a slight naivete approximately the Bellegarde and their culture. Newman’s naivete about his proposal to Claire shows now that he cannot simply find something he wants and obtain it quickly. He has to run for at making himself a part of the Bellegarde family. Unfortunately, Newman expects to easily cut into family that contains a life exuberant of mysterys and fraud. He doesnt understand them, but still carries on with them as if he does. At the family get together in which Newman is introduced to the Bellegarde family, Newman in the end sense that something may be wrong in his spare-time activity for Claire: At last, as he saturnine a panache from the electric battery of smiles and other amnemities, Newman caught the eye of the marquis looking at him to a great extent; and thereupon, for a single instant, he checked himself. ‘Am I behaving like a d---d fleece?’ he asked himself. (James 212) Newman neer sees that his spousal relationship to Claire isn’t pure; it is a political act. He matte the party was arranged so he could become satisfactory part of the Bellegarde life. He thinks that the family’s rudeness towards him is because of their snobbery, not because they honestly don’t want Claire to be a part of his life. (Banta 84) Newman excessively fails to realize that Claire is part of the Bellegarde family, and therefore must practise their rules. During a family party Newman allows his ignorance to shock over the fact that there is a chance he impart not be allowed into the Bellegarde family: He looked at Madame de Cintre, but she was not looking at him. If his personal self-consciousness had been of a temperament to make him eer refer to her, as the connoisseur before whom, in company, he played his part, he talent stand found it a flattering proof of her authorisation that he neer caught her eyeball resting upon him. (James 206) Newman uses his ignorance as an excuse for wherefore things aren’t going his way. In creating “Claire,” Newman makes he ignorant and innocent too. He neer sees himself in the hatful he meets or creates. (Banta 92) Newman’s innocence gets in the way of his controlling his own destiny. Newman realizes that Claire was not something he could make come into his life and that it was not his destiny. aft(prenominal) Valentin dies, and Claire runs off to the convent, Newman is faced with realizing that some things happen in life and there is no way to change them.

As gobbler tries to cheer Newman up afterwards the loss of his love, James writes of Newman’s feelings: “He could cease to think of them only when he ceased to think of his loss a privation, and the age he as still but scantily lightened the lean of this incommodity.” (James 327) Newman realizes that his optimism earlier in the story may piss been overrated. It was inappropriate to him now, because he is realizing that there was never anyway that he could allow for ever been received into a superficial and evil family such as the Bellegardes. (Goody 11) When Newman thinks of getting avenge on the Bellegardes, he realizes this too would turn out been a yearn of his time. When he goes to the duchesses habitation he plans to take our his first area of revenge. Instead, he leaves the duchesses digest in a call down of awe and wonderment: He seemed morally to have turned a sort of somersault, and to find things looking different in consequence. He felt a sudden stiffening of his will and quickening of his reserve. What in the world had he been thinking when he fancies the duchess could economic aid him, and that would add to his comfort to make her think ill of the Bellegardes? What did her suasion matter to him? (James 325) His decision to leave the duchesses menage without revealing the family secret shows that he was finished with the Bellegardes. He realize that he was never articled to be with Claire, and that she was always out of his reach. (Hobbs 124) Thus, Newman has complete that his destiny is not controlled by him, which also leads to the realisation that his money also can’t help him and there is apprehend for his future. Newman realizes that his money cannot control the circumstances of his life, but he can have hope for his destiny. Newman, however, feels that he has no voluntary also. He thinks that he has infinitesimal control, but that his destiny is aforethought(ip) out by other source other than himself. At the end of the novel, as Newman contemplates his side now that the Bellegardes are atrophied from his life, he realizes that they have become a part of his destiny: Sometimes he began to caution that there was something the matter with his headword; that his brain, perhaps, had softened, and that the end of his unshakable activities had come. This less loafer, useful to no one and detestable to himself-this was what the treachery of the Bellegardes had make of him. (James 338) Newman knows that his situation with the Bellegardes was destined to happen, and that his money could not have helped him control it. (Goody 16) Newman rids himself of the Bellegardes for good when he rids himself of their life-threatening secret. When Newman goes to visit Mrs. Tristam he throws the earn that contained the secret of the Bellegarde family into the fire: I mean never to stir the name of those people again, and I don’t want to hear anything more about them.’ And wherefore he took out his pocketbook and drew forrad a snowflake of paper...And he tossed it into the fire. (James 342) By burning the paper, he is burning the Bellegardes from his mastermind. zealous the manuscript represents how Newman no longer believes he can control his destiny. His mind has changed from being commercial to emotional. He now possesses the motive to see the feeling in people instead of the price he can put on them to create his ideal. (Hobbs 124) Newman has now realized that he cannot create all his life; some of it will be created for him. Finally, Christopher Newman shows that even he cannot create a future for himself, he can only help. There is a secure to how one creates his destiny. Newman thinks he can win the Bellegardes over with his money and everything in his life will be controlled. When Claire is denied to him, he realizes that he isn’t in control of his life. He accepts his fate, and moves on. When someone is able to confront his limited control of destiny, then he can see the realism in his life. Christopher Newman does this in The American. He tries to create a destiny for himself, and in the end realizes that he wasn’t realistic. Newman finds that his destiny cannot be controlled, and then finds the compromise between his voluntary and destiny in disposition to accept his future. If destiny is not controlled, the best things will happen in life. If you want to get a full essay, devote it on our website: Orderessay

If you want to get a full information about our service, visit our page: How it works.